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NEW VENUE FOR TRIBES HILL

NEW VENUE FOR TRIBES HILL
Tribes Hill begins our 2017 Kindred Folk concert series at a different location than last year. We are now partnering with Division Street Guitars and using their performance space. Come by, get a set-up for your guitar, buy some strings, and catch the show. We hope to turn some new peeps on to our stable of talented Hudson River Valley Songwriters and welcome more young Indie Folk into the Tribe.

CHRISTINE SWEENEY
With a voice as powerful as it is sultry and sweet, Christine Sweeney deftly handles poppy and playful without sacrificing genuine emotion. The blues pop musician from New York has been described as “streetwise, with a tender heart” by Folk DJ Joe Pszonek. Her unique chord choices and harmonies meet her thoughtful lyrics in a place feels like home. Her full band, Christine Sweeney & The Dirty Stayouts, is a 5 member powerhouse of talented musicians that serve as the perfect vehicle for her songwriting. Her music releases have been celebrated in her home base of Long Island, NY. Find her music at www.christinesweeney.com/music as well as Amazon, iTunes, and Spotify.

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GREG CORNELL with Amanda Homi of The Cornell Brothers
For decades, singer-songwriter Greg Cornell’s soul has been something of an antenna receiving transmissions from America’s beloved heritage of roots music and storing them deep in his being. Before he could add to the canon, however, he had to live his own stories. It took decades of heartbreak, loss, and finding the kind of hopeful disposition that only comes through searching. Today, he’s a critically acclaimed roots musician with a redemptive message.

Cornell’s music courses through that muddy river of bluegrass, country, old-time music, and blues. His work conjures the plaintive and unvarnished beauty of contemporary and classic roots artists such as Ralph Stanley, Blind Lemon Jefferson, John Prine, Gram Parsons, Levon Helm, Garcia and Grisman, and Neil Young. Currently, Cornell has a two-album body of work, Deep Ocean Blues and Come On Home. Cornell’s debut, Deep Ocean Blues, is a spiritual journey of making that brave trek into an emotional and introspective abyss. It’s follow-up, Come On Home, is produced by fiddler Adam Moss (The Defibulators, Anna Egge, and the Brother Brothers), and engineered by Justin Guip who won three Grammys recording Levon Helms' final albums. This release thematically weaves its title through the album’s tracks.

Cornell has built a robust profile through a diverse calendar of shows. Over the past few years his band, The Cornell Brothers, has appeared at folk conferences and the Sundance Film Festival in Park City UT, toured New England and upstate NY, played festivals throughout the Tristate area, and gigged at the finest listening rooms in NYC. Cornell’s sincerity, uplifting introspection, and singular approach to making emotionally resonant music from timeless art forms has earned him praise from Americana fans and critics. The popular music discovery and critical outlet Mind Equals Blown says: "Cornell visits the deep, looming sense of longing that's often tied to bluegrass or folksy tracks...and steers clear of any clichés.”
http://www.cornellbrothers.com

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PLUCK & RAIL draw from the deep well of American music, and blend together gritty songwriting, tight vocal melodies and soaring cello runs to craft their unique sound. They have been featured performers at The Hurdy Gurdy Folk Music Club, NJ Prog House and The Tribes Hill Music Festival. This past summer Pluck & Rail were featured at the 2016 Long Island Bluegrass Festival.

Pluck & Rail is the acoustic intersection of Andrew Sussman of the prog-rock heavyweights, Frogg Café, and George Gierer (and Tribes Hill president) of the folkabilly band, South County. George bought his first guitar at age 17 and moved to Austin, TX, where he soaked up the sounds of the south and was forever changed. After hearing hearing Eddie Van Halen at the age of 15, the classically trained cellist Sussman starting spinning Bach into the blues and Beethoven into Zappa.
“…bittersweet…” —New York Times (July 2015)
“…evocative of the Felice Brothers…”
—Westchester Magazine’s 2014 Fall Arts Preview
“…a fresh take evoking aspects of T Bone Burnett.”
—Progression Magazine, Oct. 2015

updated: 1 week ago

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